narrator

/nar-ey-ter, na-rey‐, nar-uh‐/US // ˈnær eɪ tər, næˈreɪ‐, ˈnær ə‐ //UK // (nəˈreɪtə) //

叙述者,叙事者,叙述人,讲解员

Definitions

n.名词 noun

1
- : a person who gives an account or tells the story of events, experiences, etc.
- : a person who adds spoken commentary to a film, television program, slide show, etc.

nounstoryteller

Synonyms

She’s an empathetic narrator and offers advice throughout about how to ease into things.
In taking on this narrative task, Prokopios reflects that what he has to share is so outrageous that he fears he “shall earn the reputation of being a narrator of myths and shall be ranked among the tragic poets.”
After the dissolution of their relationship does not go as she planned, the narrator finds herself no longer tied to New York and moves to Berlin.
Its narrator, Earl Turner, gloats that “not one of them is beyond our reach.”
The compelling narrator is one of those captive children, Lex, who, at 15, escaped and freed her siblings and over the ensuing years found poise and sanity in widely varying degrees.
“You were going to work your way into my marriage and you were going to call its new three-way shape holy” the narrator recounts.
Could you talk a minute about the notion of being an unreliable narrator?
In “Sleigh Ride,” the narrator is painting a scene so perfect that it could be featured on an iconic Currier and Ives print.
The narrator is suggesting that they build a snowman that looks like a minister.
Koenig has not been a sterile, objective narrator; she has openly voiced her biases, concerns, and gut feelings all along.
With such a faculty Balzac could not be, like Edgar Poe, merely a of nightmares.

/nar-ey-ter, na-rey‐, nar-uh‐/US // ˈnær eɪ tər, næˈreɪ‐, ˈnær ə‐ //UK // (nəˈreɪtə) //

叙述者,叙事者,叙述人,讲解员

n.名词 noun

1
- : a person who gives an account or tells the story of events, experiences, etc.
- : a person who adds spoken commentary to a film, television program, slide show, etc.

nounstoryteller

Synonyms

She’s an empathetic narrator and offers advice throughout about how to ease into things.
In taking on this narrative task, Prokopios reflects that what he has to share is so outrageous that he fears he “shall earn the reputation of being a narrator of myths and shall be ranked among the tragic poets.”
After the dissolution of their relationship does not go as she planned, the narrator finds herself no longer tied to New York and moves to Berlin.
Its narrator, Earl Turner, gloats that “not one of them is beyond our reach.”
The compelling narrator is one of those captive children, Lex, who, at 15, escaped and freed her siblings and over the ensuing years found poise and sanity in widely varying degrees.
“You were going to work your way into my marriage and you were going to call its new three-way shape holy” the narrator recounts.
Could you talk a minute about the notion of being an unreliable narrator?
In “Sleigh Ride,” the narrator is painting a scene so perfect that it could be featured on an iconic Currier and Ives print.
The narrator is suggesting that they build a snowman that looks like a minister.
Koenig has not been a sterile, objective narrator; she has openly voiced her biases, concerns, and gut feelings all along.
With such a faculty Balzac could not be, like Edgar Poe, merely a of nightmares.